10,890円

DOUG AITKEN:THE IDEA OF THE …

Kirstine Roepstorff (born 1972) uses materials such as felt, fabric, sequins and glass beads for her collages, in a process she terms "appropriarranging." This publication features a series of large-scale collages and a wunderkammer.

10,384円

KIRSTINE ROEPSTORFF:DRIED DE…

Singapore Sketchbook is a celebration of streets and buildings, classic scenes and marvelous architectural details. Singapore is a thriving, modern city; but a mixture of modernity and a rich heritage, often beautifully restored, gives it a unique character. The willingness to conserve the best of Singapore's old buildings, already well in evidence when the first edition of this book appeared, continues unabated and the results are recorded in paintings and pencil sketches produced specially for this new edition. A stroll through almost any part of the island will take you past enchanting restored shophouses and a variety of busy religious, civic and commercial structures.

5,940円

Singapore Sketchbook

Hugely admired and collected throughout Asia and in Germany, Switzerland, Italy and the U.K., Chinese painter Chen Ke (born 1978) paints little girls in moments of luminous introspection, in a style mixing cartoon lightness with the high seriousness of the western masters. This volume surveys her work of the past two years.

5,940円

HARD-BOILED WONDERLAND & END…

9,504円

NANCY SPERO:TORTURE OF WOMEN…

81,994円

A Guide to Drawing

Games and play occupied a central, if misunderstood, role in modern art in the twentieth century. Many art-historical narratives have downplayed the ways in which artists returned to play and to games as analogues to art practice, as metaphors for creativity, or as models for art criticism. The essays collected in this volume investigate the fundamental importance of supposedly nonserious activity and attend to the ways in which artists used play and games in order to reconsider their practice and to expand their critical strategies. With subjects ranging from early-twentieth-century manifestations of games and play in Surrealism, Duchamp, Picasso, and Bauhaus photography to their repercussions in Fluxus, performance, public practice, and new media, these essays establish the diversity and potential of games and play and point toward an alternate trajectory in the development of modern art.

33,264円

From Diversion to Subversion…

44,110円

Translating Nature Into Art:…

Despite the fact that the Gothic is one of the best known and most studied of all the fields of medieval art history, much remains for us to learn. Stretching in time from the early thirteenth to the middle of the sixteenth century and in space from the western shores of Ireland to the eastern borders of Europe, it is a style with many subdivisions and dialects. These papersthe fruits of a two-day conference at Princeton Universitybring together some of the foremost scholars in the field and celebrate Willibald Sauerlnder, the doyen of Gothic studies. Covering a variety of media, from glass to manuscripts to ivories, and all of Europe, these papers deal with such issues as reception, methodology, nationalism, and scholasticism as well as historiography. Accompanying these studies are some innovative iconographical papers on topics as diverse as the Miracle at Cana and Synagoga and Ecclesia.

13,090円

Gothic Art and Thought in th…

Between 1740 and 1780, Empress Maria Theresa governed the Habsburg Empire, a multilingual conglomeration of states centered on Austria. Although recent historical scholarship has addressed Maria Theresas legacy, she remains entirely absent from art history despite her notable role in shaping eighteenth-century European diplomatic, artistic, and cultural developments. In Empress Maria Theresa and the Politics of Habsburg Imperial Art, Michael Yonan explores the role that material culturepaintings, architecture, porcelain, garden sculpture, and decorative objectsplayed in forming the monarchical identity of this historically prominent woman ruler.

46,354円

Empress Maria Theresa and th…

46,354円

Vision and the Visionary in …

Looking at art through the lens of psychedelic experience and culture, New York Times critic Ken Johnson reveals an unexpected and illuminating dimension of art since the 1960s.

10,384円

ARE YOU EXPERIENCED?(H)

Published to mark the opening of the new Silver Gallery at the Virginia Museum of Fine Arts, September 24, 2010.

9,350円

A Noble Pursuit: English Sil…

9,504円

DRAWINGS OF THE ELECTRIC PEN…

4,950円

Seen, Written: Selected Essa…

22,418円

Becoming Modern, Becoming Tr…

Lavishly illustrated," Generations" celebrates the nearly 800 works of Native American art in The Helen Cox Kersting Collection, including pottery, jewelry, baskets, weavings, katsinas, and paintings. Representing the work of Native artists from the late 1800s to the present, the collection demonstrates the survival and flowering of work by Navajo, Pueblo, and other American Indian artists across the generations.

28,050円

Generations: The Helen Cox K…

7,106円

Pictorial Invention in Nethe…

Drawing the human head is often considered the most challenging but rewarding drawing subject. To take away some of the challenge, this book breaks down the process of drawing the head into easy steps and stages. In Drawing: The Head, accomplished artist Nathan Rohlander guides readers through the classical approach to drawing, from the initial "block in" stage to details and finishing touches.

1,848円

Drawing: The Head

The Cave Painters "is a vivid introduction to the spectacular cave paintings of France and Spain--the individuals who rediscovered them, theories about their origins, their splendor and mystery. Gergory Curtis makes us see the astonishing sophistication and power of the paintings and tells us what is known about their creators, the Cro-Magnon people of some 40,000 years ago. He takes us through various theories--that the art was part of fertility or hunting rituals, or used for religious purposes, or was clan mythology--examining the ways interpretations have changed over time. Rich in detail, personalities, and history, "The Cave Painters "is above all permeated with awe for those distant humans who developed--perhaps for the first time--both the ability for abstract thought and a profound and beautiful way to express it.

3,366円

The Cave Painters: Probing t…

18,326円

Marc Chagall: Lebenslinien

18,744円

All That Happened Had to Hap…

7,920円

JACK PIERSON:NIGHT(H)

8,910円

Portraits of the Prairie: Th…

7,920円

GENERAL IDEA(H)

In this first comprehensive presentation of art from the 1990s in Argentina, "Recovering Beauty" places the Centro Cultural Rojas (CCR) at the core of this creative period. The CCR, or "El Rojas" as it was later known, opened in 1989 as a venue for emerging artists. The "El Rojas" artists epitomized a collective will to move beyond a grim recent past by creating introspective narratives that looked towards the ordinary as a source of inspiration. Artists such as Feliciano Centurion, Sebastian Gordin, Jorge Gumier Mier, Miguel Harte, Graciela Hasper, Benito Laren, Marcelo Pombo, Cristina Schiavi and Omar Schiliro espoused conceptions of beauty, color and fantasy, and the projection of psychology as artistic expression. "Recovering Beauty" is the first sustained examination of this fascinating moment in Argentine culture, which chimes with trends towards the fantastical and the decorative in American art of the late 1990s and 2000s.

4,950円

Recovering Beauty: The 1990s…

Armed with a scholar's passion, a con man's smile, and a daredevil's nerves, Wittman--former leader of the FBI's Art Crime Team--had pulled off undercover operations all over the world. In "Priceless," readers learn about the greatest unsolved art heist of the 20th century.

3,762円

Priceless: Priceless: How I …

Brilliant color plates of Edmund Dulac's book illustrations date from 1908 to 1928 and include Shakespeare's "The Tempest, The Arabian Nights, The Rubaiyat of Omar Khayyam, "and Hans Christian Andersen's fairy tales.

4,950円

An Edmund Dulac Treasury: 11…

See the New York City transit system at a time the Metropolitan Transit Authority (MTA) has tried hard to forget. In the early '80s, graffiti writer Paul Cavalieri, who writes "CAVS," was drawn to the colorful tags on trains. He started learning train schedules so he could snap works by many writers of the time. This is a compilation of subway graffiti from 1983 to 1989, when the MTA announced that its fleet was entirely graffiti-free. More than 325 color photos capture everything from motion-bombed train interiors riddled with pilot marker tags to epic works covering whole exteriors, top to bottom. Artists tell their tales of adventure throughout and reminisce about working on live third rails, navigating the complex subway system to find their works, and witnessing graffiti's gradual disappearance from the trains. This book presents a nostalgic look at 1980s New York City and the street artists that gave it soul.

6,930円

From the Platform: Subway Gr…

25,806円

The Hand and the Soul: Aesth…

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