6,094円

ONE YEAR DRAWING PROJECT:MAY…

10,384円

ED RUSCHA:ROAD TESTED(H)

41,118円

The Drama of the Portrait: T…

Sequal to the bestseller Sketching, which sold 60.000 copies. A new visual tutorial method for the novice designer.

8,888円

SKETCHING:THE BASICS(H)

4,554円

Making Color Sing: Practical…

7,920円

Filipino Tattoos: Ancient to…

8,316円

DANIEL SPOERRI:BLACK ON WISE…

German artist Marcus Sendlinger (born 1967) derives his images from the urban landscape, which he then samples, abstracts and reforms into geometric shapes, patterns and grids. Diagonal axes comprise the mainstay of his compositional framework, depicted in achromatic shades of gray, white and black--surfaces and shapes superimposed on one another with pops of yellow, red or purple.

6,534円

MARCUS SENDLINGER:LOST REALI…

For German artist Stefanie Gutheil (born 1980), painting is an expression of the untamed imagination, and she unleashes a fantastical cast of asexual ghouls, monsters and freaks upon her canvases. Painterly, raucous, messy and multicolored, they revel in a kind of joyous hysteria, conveyed by the title of this first monograph on her art.

7,414円

STEFANIE GUTHEIL:JUNGLE(H)

A retrospective on one of Iran's leading contemporary artists.

4,554円

Tehran Studio Works: The Art…

Published by the Index of Christian Art in association with Penn State Press. In this volume, a group of distinguished scholars makes skilled use of the methodology to examine a number of significant medieval manuscripts, including the Morgan Picture Bible. Advertising.

13,090円

Between the Picture and the …

Easy drawing steps are paired with a fun fact-filled narrative about three memorable plant-eating dinosaurs. Young artists will marvel at their new drawings of the long-necked Diplodocus, the sharp-clawed Iguanodon, and the duck-billed Parasaurolophus.

4,356円

Drawing Diplodocus and Other…

Written to accompany an exhibition of prints from the John P. Eckblad collection of industrial imagery, this volume explores the way that artists have looked at the world that was created by heavy industry over more than two centuries. An interlocking triad--the mining of coal, the production of iron and steel, and the development of steam power--formed the basis of modern industrial civilization, explains curator Timothy Riggs. This transformation of the world is presented in a wide variety of images: documentary views, advertising and political posters, and works of art by artists including Camille Pissarro, Joseph Pennell, and C. R. W. Nevinson.

3,564円

At the Heart of Progress: Co…

This volume is a rich resource for the study of time as represented by the signs of the zodiac and occupations of the months, documented in the comprehensive files of the Index of Christian Art at Princeton University. The measurement and documentation of time has been a universal issue since the dawn of civilizationand no more so than in the medieval period, when images representing the signs of the zodiac and occupations of the months were commonly used. Nature and the occupations or labors that each month brought are reflected in earthly calendars, while the movements of the heavens and their impact on mankind were recorded in the signs of the zodiac. The changing compositions that were used to represent these twin calendars in several hundred works of art are documented in this volume, which provides an unrivalled visual record for the student and scholar.

13,090円

Time in the Medieval World: …

A definitive survey of Minnesota's vibrant printmaking scene in the first half of the twentieth century that features almost two hundred artists.

17,578円

Minnesota Prints and Printma…

29,150円

Hold That Pose: Visual Cultu…

Outgrowth of the author's thesis (Northwestern University).

22,506円

Citizen Spectator: Art, Illu…

11,924円

A Keener Perception: Ecocrit…

Blood and Beauty brings together a diverse, prestigious group of contributors to debate this charged topic in an open, critical and frank interchange. Authors specializing in the anthropology, archaeology, art history, and linguistics of Mesoamerica and Central America bring new data and interpretive strategies to bear on the nature of institutional violence in these ancient societies. The volume covers a broad time frame, from circa 1200 B.C.E. to the sixteenth century, including recent ethnography. The volume endeavors to contextualize violence and violent acts within the matrix of indigenous thought and culture. Chapter topics reflect that desire, including localized, culturally specific, examinations of warfare, sacrifice, ballgames, boxing, pain, and healing. While there is no overarching theoretical perspective, the contributors are sensitive to current theoretical discourse in the field, including recent perspectives on organized violence and the agency of artworks.

8,580円

Blood and Beauty: Organized …

29,920円

Prodigy Houses of Virginia: …

11,880円

Itai Doron: End of Real

23,936円

Zwischen Himmel Und Hlle: Ku…

1,963円

Color: An Outline of Terms a…

28,050円

La Peinture Et Le Laboratoir…

The last decade has seen the rise of artists who have rejected academia to embrace urban culture as their inspiration. The exhibition Viva la Revoluci n: A Dialogue with the Urban Landscape represents the pinnacle of this progression through an epic convergence of 20 artists from around the world. The urban landscape serves as the inspiration and canvas in an exhibition comprised of four parts: work inside the Museum of Contemporary Art San Diego (MCASD), Public Commissions and Interventions, Bombing, and a Collaborative Site. Barry McGee, Moris, Ryan McGinness, Mark Bradford, Dr. Lakra, Swoon, Os Gemoes and others contribute paintings, prints, sculpture, murals, and installations, while Invader and Shepard Fairey create large outdoor murals and Dzine embellishes the city with tricked out pedicabs. This companion catalogue to the exhibition includes essays by curator Pedro Alonzo and Alex Baker, and a preface by Hugh M. Davies.

5,940円

VIVA LA REVOLUCION(H)

In August 1946, Marcel Duchamp spent five weeks in Switzerland, and stayed at the Hotel Bellevue (today, Le Baron Tavernier) near Chexbres, on Lake Geneva. It was here that he discovered the Forestay waterfall, which was to become the starting point for (and ultimately the landscape of) his enigmatic and final masterpiece, "Etant donnes: 1 la chute d'eau, 2 le gaz d'eclairage" ("Given: 1. The Waterfall, 2. The Illuminating Gas"). Now, for the first time, the full significance of the choice of this waterfall is explored. Among the contributors to this volume are Caroline Bachmann, Stefan Banz, Etienne Barilier, Lars Blunck, Ecke Bonk, Paul B. Franklin, Antje von Graevenitz, Dalia Judovitz, Michael Luthy, Bernard Marcade, Herbert Molderings, Adeena Mey, Stanislaus von Moos, Francis M. Naumann, Mark Nelson, Molly Nesbit, Dominique Radrizzani, Roman Signer, Michael R. Taylor, Hans Maria de Wolf and Philip Ursprung.

7,920円

MARCEL DUCHAMP & THE FORESTA…

A beautifully produced gift book for gardeners and art lovers everywhere: a selection of Vincent van Gogh s garden and flower paintings and drawings.

3,850円

VINCENT'S GARDENS(H)

The definitive book highlighting the growing number of artists who collaborate with artisans and craftsmen to realize their work.

8,888円

ART OF NOT MAKING,THE(H)

5,038円

PICASSO GUITARS:1912-1914(H)

7,920円

Paul Chan: The Essential and…

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