29,150円

Hold That Pose: Visual Cultu…

Outgrowth of the author's thesis (Northwestern University).

22,506円

Citizen Spectator: Art, Illu…

Blood and Beauty brings together a diverse, prestigious group of contributors to debate this charged topic in an open, critical and frank interchange. Authors specializing in the anthropology, archaeology, art history, and linguistics of Mesoamerica and Central America bring new data and interpretive strategies to bear on the nature of institutional violence in these ancient societies. The volume covers a broad time frame, from circa 1200 B.C.E. to the sixteenth century, including recent ethnography. The volume endeavors to contextualize violence and violent acts within the matrix of indigenous thought and culture. Chapter topics reflect that desire, including localized, culturally specific, examinations of warfare, sacrifice, ballgames, boxing, pain, and healing. While there is no overarching theoretical perspective, the contributors are sensitive to current theoretical discourse in the field, including recent perspectives on organized violence and the agency of artworks.

8,580円

Blood and Beauty: Organized …

This lavishly illustrated volume is the most complete study of Greek island embroidery yet published.Each group of islands developed quite different styles and repertoires of designs using linen, cotton, and silk. Varying populations -- urban foreigners and rural natives, Catholic towns and Orthodox villages, invading navies and armies -- all contributed to a fusion of styles and motifs that led to one of the greatest displays of decorative folk art to be found anywhere in the world.The styles range from aristocratic and patrician designs from Rhodes, the monochrome geometric work of Naxos, to the exuberant narrative style of Skyros and the Ottoman-influenced work of Epirus.

11,880円

Embroidery of the Greek Isla…

29,920円

Prodigy Houses of Virginia: …

11,880円

Itai Doron: End of Real

23,936円

Zwischen Himmel Und Hlle: Ku…

1,963円

Color: An Outline of Terms a…

The last decade has seen the rise of artists who have rejected academia to embrace urban culture as their inspiration. The exhibition Viva la Revoluci n: A Dialogue with the Urban Landscape represents the pinnacle of this progression through an epic convergence of 20 artists from around the world. The urban landscape serves as the inspiration and canvas in an exhibition comprised of four parts: work inside the Museum of Contemporary Art San Diego (MCASD), Public Commissions and Interventions, Bombing, and a Collaborative Site. Barry McGee, Moris, Ryan McGinness, Mark Bradford, Dr. Lakra, Swoon, Os Gemoes and others contribute paintings, prints, sculpture, murals, and installations, while Invader and Shepard Fairey create large outdoor murals and Dzine embellishes the city with tricked out pedicabs. This companion catalogue to the exhibition includes essays by curator Pedro Alonzo and Alex Baker, and a preface by Hugh M. Davies.

5,940円

VIVA LA REVOLUCION(H)

In August 1946, Marcel Duchamp spent five weeks in Switzerland, and stayed at the Hotel Bellevue (today, Le Baron Tavernier) near Chexbres, on Lake Geneva. It was here that he discovered the Forestay waterfall, which was to become the starting point for (and ultimately the landscape of) his enigmatic and final masterpiece, "Etant donnes: 1 la chute d'eau, 2 le gaz d'eclairage" ("Given: 1. The Waterfall, 2. The Illuminating Gas"). Now, for the first time, the full significance of the choice of this waterfall is explored. Among the contributors to this volume are Caroline Bachmann, Stefan Banz, Etienne Barilier, Lars Blunck, Ecke Bonk, Paul B. Franklin, Antje von Graevenitz, Dalia Judovitz, Michael Luthy, Bernard Marcade, Herbert Molderings, Adeena Mey, Stanislaus von Moos, Francis M. Naumann, Mark Nelson, Molly Nesbit, Dominique Radrizzani, Roman Signer, Michael R. Taylor, Hans Maria de Wolf and Philip Ursprung.

7,920円

MARCEL DUCHAMP & THE FORESTA…

A beautifully produced gift book for gardeners and art lovers everywhere: a selection of Vincent van Gogh s garden and flower paintings and drawings.

3,850円

VINCENT'S GARDENS(H)

The definitive book highlighting the growing number of artists who collaborate with artisans and craftsmen to realize their work.

8,888円

ART OF NOT MAKING,THE(H)

38,874円

Alter Icons: The Russian Ico…

5,038円

PICASSO GUITARS:1912-1914(H)

7,920円

Paul Chan: The Essential and…

10,890円

DOUG AITKEN:THE IDEA OF THE …

Kirstine Roepstorff (born 1972) uses materials such as felt, fabric, sequins and glass beads for her collages, in a process she terms "appropriarranging." This publication features a series of large-scale collages and a wunderkammer.

10,384円

KIRSTINE ROEPSTORFF:DRIED DE…

Hugely admired and collected throughout Asia and in Germany, Switzerland, Italy and the U.K., Chinese painter Chen Ke (born 1978) paints little girls in moments of luminous introspection, in a style mixing cartoon lightness with the high seriousness of the western masters. This volume surveys her work of the past two years.

5,940円

HARD-BOILED WONDERLAND & END…

9,504円

NANCY SPERO:TORTURE OF WOMEN…

44,110円

Translating Nature Into Art:…

Despite the fact that the Gothic is one of the best known and most studied of all the fields of medieval art history, much remains for us to learn. Stretching in time from the early thirteenth to the middle of the sixteenth century and in space from the western shores of Ireland to the eastern borders of Europe, it is a style with many subdivisions and dialects. These papersthe fruits of a two-day conference at Princeton Universitybring together some of the foremost scholars in the field and celebrate Willibald Sauerlnder, the doyen of Gothic studies. Covering a variety of media, from glass to manuscripts to ivories, and all of Europe, these papers deal with such issues as reception, methodology, nationalism, and scholasticism as well as historiography. Accompanying these studies are some innovative iconographical papers on topics as diverse as the Miracle at Cana and Synagoga and Ecclesia.

13,090円

Gothic Art and Thought in th…

Between 1740 and 1780, Empress Maria Theresa governed the Habsburg Empire, a multilingual conglomeration of states centered on Austria. Although recent historical scholarship has addressed Maria Theresas legacy, she remains entirely absent from art history despite her notable role in shaping eighteenth-century European diplomatic, artistic, and cultural developments. In Empress Maria Theresa and the Politics of Habsburg Imperial Art, Michael Yonan explores the role that material culturepaintings, architecture, porcelain, garden sculpture, and decorative objectsplayed in forming the monarchical identity of this historically prominent woman ruler.

46,354円

Empress Maria Theresa and th…

46,354円

Vision and the Visionary in …

Looking at art through the lens of psychedelic experience and culture, New York Times critic Ken Johnson reveals an unexpected and illuminating dimension of art since the 1960s.

10,384円

ARE YOU EXPERIENCED?(H)

Published to mark the opening of the new Silver Gallery at the Virginia Museum of Fine Arts, September 24, 2010.

9,350円

A Noble Pursuit: English Sil…

9,504円

DRAWINGS OF THE ELECTRIC PEN…

4,950円

Seen, Written: Selected Essa…

22,418円

Becoming Modern, Becoming Tr…

Lavishly illustrated," Generations" celebrates the nearly 800 works of Native American art in The Helen Cox Kersting Collection, including pottery, jewelry, baskets, weavings, katsinas, and paintings. Representing the work of Native artists from the late 1800s to the present, the collection demonstrates the survival and flowering of work by Navajo, Pueblo, and other American Indian artists across the generations.

28,050円

Generations: The Helen Cox K…

7,106円

Pictorial Invention in Nethe…

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