By looking at engag e literature from the recent past, when thefrancophone African writer was implicitly seen as imparted with a mission, to thepresent, when such authors usually aspire to be acknowledged primarily for theirwork as writers, "Contemporary Francophone African Writers and theBurden of Commitment" addresses the currrent processes ofcanonization in contemporary francophone African literature. Odile Cazenave andPatricia C l rier argue that aesthetic as well as political issues are now at theforefront of debates about the African literary canon, as writers and criticsincreasingly acknowledge the ideology of form. Working across genres but focusing onthe novel, the authors take up the question of renewed forms of commitment in thisliterature. Their selected writers range from Mongo Beti, Ousmane Semb ne, andAminata Sow Fall to Boubacar Boris Diop, V ronique Tadjo, Alain Mabanckou, andL onora Miano, among others.

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From 1890 to 1905, Mary Arnold Ward was the best-selling novelist in the English language. As the Edwardian age came to an end, however, she became a target of scorn for modernists such as Virginia Woolf, and today most of her books have fallen out of print. But in her novels we can vividly experience the long transition from Victorian to modern England and see again the high melodrama of science's challenge to Christianity, of political socialism and che social gospel, and of women's suffrage and the First World War. The niece of Matthew Arnold and wife of the art critic of the

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