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Forgiving the Boundaries: Ho…

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Science Fiction and Market R…

Taking a close look at all the key male figures in Toni Morrisons eight novels, this book explores Morrisons admitted, but critically neglected, interest in the relationships between African American men and women and the axes on which these relationships turn. Most Morrison scholarship deals with her female characters. Cant I Love What I Criticize? offers a response to this imbalance and to Morrisons call for more work on men, who remain, in her words, outside of that little community value thing.

13,904円

Can't I Love What I Criticiz…

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Literature and Society: An A…

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Agent of Empire: William Wal…

Richard Gray is known as both a leading European scholar in American literature and a leading international scholar of the literature of the American South. Through numerous examples drawn from southern literature, a historically conscious body of writing clearly in conversation with itself, Gray helps us to understand how any literary tradition involves an open conversation between its textsa web of words that stretches from the local to the transnational.

13,904円

A Web of Words: The Great Di…

Nonfiction novels have usually been associated with the "new journalism" writers of the 1960s such as Tom Wolfe, Norman Mailer, and Truman Capote. Yet this form has long commanded a key position in the literary canon, as John Russell now reveals.Russell identifies eleven major works not usually thought of as nonfiction novels, such as Isak Dinesen's "Out of Africa" and E. E. Cummings's "The Enormous Room," to create a new definition of the genre. He shows that journalistic writing is characterized by a reporter's proprietary stance, which undermines reciprocity with subjects, while true nonfiction novels feature greater reciprocity and also employ such techniques as circular narrative and bricolage."Reciprocities in the Nonfiction Novel" contributes to ongoing explorations of literary forms and offers wise commentary on how writing about real life can become art.

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Reciprocities in the Nonfict…

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Reading Essays: An Invitatio…

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The King's Threshold: Manusc…

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The Violence Within/The Viol…

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Daughter of the Swan: Love a…

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Melville's Later Novels

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Little Women: A Family Roman…

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Dylan Thomas: An Original La…

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Elfquest: The Art of the Sto…

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Six Memos for the Next Mille…

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Re-Writing America: Vietnam …

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Diarmuid and Grania: Manuscr…

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Translations of Chaucer and …

Crossing Cultures brings together scholars in the field of reception and translation studies to chart the individual and institutional agencies that determined the reception of Anglophone authors in the Dutch and Belgian literary fields in the course of the nineteenth and the beginning of the twentieth century. The essays offer a variety of angles from which nineteenth-century literary dynamics in the Low Countries can be studied. The first two parts discuss the reception of Anglophone literature in the Netherlands and Belgium, respectively, while the third part focuses exclusively on the Dutch translation of women writers.

16,456円

Crossing Cultures: Nineteent…

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Medieval Manuscripts in Tran…

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Myricae: de Rebus Italicis D…

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Risus Mediaevalis: Laughter …

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The Poems of T. S. Eliot: Co…

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Making Literature Now

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Divided Sovereignties: Race,…

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Inter-Tech(s): Colonialism a…

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