6,336円

We Share Our Matters: Two Ce…

In Plantation Airs, Brannon Costello argues persuasively for new attention to the oft-neglected issue of class in southern literary studies. Focusing on the relationship between racial paternalism and social class in American novels written after World War II, Costello asserts that well into the twentieth century, attitudes and behaviors associated with an idealized version of agrarian antebellum aristocracy?especially, those of racial paternalism?were believed to be essential for white southerners. The wealthy employed them to validate their identities as "aristocrats," while less affluent whites used them to separate themselves from "white trash" in the social hierarchy. Even those who were not legitimate heirs of plantation-owning families found that "putting on airs" associated with the legacy of the plantation could align them with the forces of power and privilege and offer them a measure of authority in the public arena that they might otherwise lack.

13,640円

Plantation Airs: Racial Pate…

3,564円

Give War and Peace a Chance:…

25,608円

Failed Frontiersmen: White M…

19,448円

Prose Immortality, 1711-1819

25,564円

The Geopoetics of Modernism

10,208円

A Sense of Regard: Essays on…

A wide-ranging analysis of French Jewish authors born after the Shoah, this book traces the rich development of young Jewish writing from its beginning in the late 1970s, into the 1980s and 1990s, when it gained intense momentum.

11,198円

In Lieu of Memory: Contempor…

12,672円

Revelation 1-5, Volume 52a

11,968円

Eric Williams and the Antico…

25,608円

Eric Williams and the Antico…

16,830円

Transcultural Writers and No…

28,050円

Market Aesthetics: The Purch…

3,762円

Turtle Recall: The Discworld…

15,334円

Yoknapatawpha Blues: Faulkne…

As Zionism took root in Palestine, European Yiddish was employed within a dominant Hebrew context. A complex relationship between cultural politics and Jewish writing ensued that paved the way for modern Israeli culture. This enlightening volume reveals a previously unrecognized, alternative literature that flourished vigorously without legitimacy. Significant examples discussed include ethnically ambiguous fiction of Zalmen Brokhes, minority-oriented works of Avrom Rivess, and culturally pluralistic poetry by Rikuda Potash. The remote locales of these writers, coupled with the exuberant expressiveness of Yiddish, led to unique perceptions of Zlonist endeavors in the Yishuv. Using rare archival material and personal interviews, What Must Be Forgotten unearths dimensions largely neglected in mainstream books on Yiddish and/or Hebrew studies.

10,208円

What Must Be Forgotten: The …

This exposition of writer S. Y. Abramovitsh explores the symbolic importance of his central character, Mendele the Bookseller, and the history of Yiddish fiction in Russia during the nineteenth century.

3,960円

A Traveler Disguised: The Ri…

6,798円

Seamus Heaney: Poet of Contr…

6,336円

The Holy Land in Transit: Co…

9,328円

Intimations of Difference: D…

21,318円

Patience, Mon Coeur: L'Essor…

11,198円

Two Irelands: Literary Femin…

6,798円

A Yeats Dictionary: Persons …

Little-known writings show how a rich family literary heritage influenced Stephen Crane's formative years, brief maturity, and artistry.

9,196円

Stephen Crane's Literary Fam…

A classic work revisited and a testament to the beauty and endurance of the Mame-loshn (mother tongue) through the trials and tribulations of Americanization.

1,980円

The New Country: Stories fro…

15,334円

Nat Turner Before the Bar of…

10,230円

Going the Distance: Dissiden…

15,334円

American Literary Regionalis…

Though the phrase ?Calvinist Humor? may seem to be an oxymoron, Dunne, in highly original and unfailingly interesting readings of major American fiction writers, uncovers and traces two recurrent strands of Calvinist humor descending from Puritan times far into the twentieth century. Calvinist doctrine views mankind as fallen, apt to engage in any number of imperfect behaviors. Calvinist humor, Dunne explains, consists in the perception of this imperfection. When we perceive that only others are imperfect, we participate in the form of Calvinist humor preferred by William Bradford and Nathaneal West. When we perceive that others are imperfect, as we all are, we participate in the form preferred by Mark Twain and William Faulkner, for example. Either by noting their characters? inferiority, or by observing ways in which we are all far from perfect, Dunne observes, American writers have found much to laugh about and many occasions for Calvinist humor.

13,640円

Calvinist Humor in American …

13,640円

The Legacy of Robert Penn Wa…

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