1,425円

El antecristo

1,742円

No hay burlas con las mujere…

686円

La pedidora

2,534円

Why Torture Is Wrong, and th…

1,584円

No hay reinar como el vivir

3,009円

50/50 Monologues for Student…

774円

Apoteosis de don Pedro Calde…

1,003円

Jcara de Carrasco

5,860円

Tribes

1,584円

Contigo pan y cebolla

1,900円

El Guillermo

774円

Loa a El ao santo de Roma

3,924円

King Henry IV Part 1: Third …

2,692円

Orpheus Descending and Sudde…

2,270円

Antigone

In their lively and engaging edition of this sometimes neglected early play, Cox and Rasmussen make a strong claim for it as a remarkable work, revealing a confidence and sureness that very few earlier plays can rival. They show how the young Shakespeare, working closely from his chronicle sources, nevertheless freely shaped his complex material to make it both theatrically effective and poetically innovative. The resulting work creates, in Queen Margaret, one of Shakespeare 's strongest female roles and is the source of the popular view of Richard Neville, Earl of Warwick as 'kingmaker '. Focusing on the history of the play both in terms of both performance and criticism, the editors open it to a wide and challenging variety of interpretative and editorial paradigms.

3,414円

King Henry VI Part 3: Third …

Two Gentlemen of Verona is commonly agreed to be Shakespeare's first comedy, and probably his first play. A comedy built around the confusions of doubling, cross - dressing and identity, it is also a play about the ideal of male friendship and what happens to those friendships when men fall in love. William Carroll's engaging Introduction focuses on the traditions and sources that stand behind the play and explores Shakespeare's unique and bold treatment of them. Special attention is given to the strong female figure of Julia and the controversial final scene.

4,206円

The Two Gentlemen of Verona:…

5,332円

Birds/Peace/Wealth: Aristoph…

3,185円

Mrs Warren's Profession

897円

Measure for Measure

3,643円

Desire / Meanmarc

5,632円

Somewhere on the Border: A P…

This Roman play is one of Shakespeare's last tragedies, best known for its political and military themes. Its hero, Coriolanus, is a proud General who does not hesitate to show his arrogant and outspoken contempt of the Roman rabble. The Tribunes banish him and he raises an army to take his revenge on Rome. He finally concedes to the pleas of his mother to spare the city and leaves only to be publicly killed by his former allies. Peter Holland is a former Director of the Shakespeare Institute in Stratford upon Avon and President of the Shakespeare Association of America. He is a pre-eminent international scholar. His comprehensive Introduction and commentary notes open up the language, themes and ideas in this complex yet richly rewarding play for the student and teacher.

3,185円

Coriolanus: Third Series

3,819円

Euripides I: Alcestis/Medea/…

3,819円

Sophocles I: The Theban Play…

2,851円

4000 Miles / After the Revol…

2,534円

Love and Information

With the sound of a piercing bell Winnie wakes and exclaims, "Another heavenly day." Even though she is buried up to her waist, Winnie--ever the optimist-- goes about her day without the recollection that something is amiss. She brushes her teeth, puts on lipstick, reminisces about the past, and makes references to great works of literature that she has read but can no longer remember the lines that inspired her. Her source of comfort and inspiration, and all her "happy days" are the items in her seemingly bottomless bag, her thoughts, and the knowledge of her companion's presence. Although "Happy Days" is one of Beckett's most whimsical works, it is a relentless search for the meaning of existence, the tenuous relationships that bind one person to another, and the past to the present.

2,692円

Happy Days

2,692円

Vanya and Sonia and Masha an…

5,350円

Halcyon Days

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