3,643円

SIEBREN VERSTEEG

Artwork by Zoe Leonard. Contributions by Cheryl Dunye.

2,376円

FAE RICHARD PHOTO ARCHIVE,TH…

Kurt Kauper's Diva Fictions are paintings of imaginary opera singers, invented characters who live somewhere between artificiality and realism, glamorous condescension and brilliant fashion, reinvention and tradition, excessive theatricality and overt emotionalism -- all of which stand as metaphors for a wide range of contemporary cultural realities.

3,168円

KURT KAUPER,DIVA FICTIONS

3,960円

GEORGE SEGAL:BRONZE

Introduction by Julia M. White. Text by Julia F. Andrews, Kuiyi Shen, James Quandt.

3,960円

MAHJONG

Meet the Artists" presents an extraordinary collaborative project between Jake and Dinos Chapman, George Condo and Paul McCarthy. It came about when the four artists were invited by the London arts agency, RS&A, to collaborate on the creation of eight paintings and a set of etchings over a period of one year. The project was commenced in March 2006, when one large canvas, one small canvas and one etching plate were delivered to each artist's studio. The collaborators were given a month to work before their paintings and etching plates were collected and rotated to the next artist in a prearranged sequence. Each canvas and etching plate rotated four times in total so that each participating artist had the chance to be first, second, third and fourth in the sequential makeup of a single painting and etching plate. An exquisite corpse for four of today's most interesting living artists.

5,544円

MEET THE ARTISTS:THE FIRST C…

10,296円

MARCO BREUER:EARLY RECORDING…

7,920円

AMERICAN SPORTS 1970(H)

4,752円

TINYVICES:LOADS(P)

Text by Tess Gallagher, Elizabeth Brown. Poem by David Guterson.

7,920円

SAWDUST MOUNTAIN(H)

27,720円

VISIONAIRE NO. 51:HARMONY SI…

In his introduction to "The 1980s: An Internet Conference," moderator Maurice Berger writes, "As Fredric Jameson reminds us in his essay "Periodizing the 1960s," decades are never neat, clearly defined episodes. Their boundaries are porous, their roots long, their implications far-reaching, their stories, a jumble of events that historical orthodoxy all too easily erases, overestimates, or devalues. For the purposes of this conference, then, "The 1980s" serves as an historical hook--a convenient means for focusing on a constellation of events, sensibilities, cultural objects, methodologies, and social movements that took form in the United States in the era roughly between the late-1970s and early-1990s." Contributors include Alexander Alberro, Max Becher, Dan Cameron, Mary Kelly, Wayne Koestenbaum, David A. Ross, Irving Sandler, Carolee Schneemann, Carol Squiers, Oliver Wasow, Linda Yablonsky and others.

2,376円

1980S,THE:AN INTERNET CONFER…

3,168円

YVONNE PUFFER:FAMILY MINI:SE…

7,920円

MUSEUM PROJECT,THE(H)

12,672円

GARY SCHNEIDER:NUDES(H)

4,752円

VICKI GOLDBERG:LIGHT MATTERS…

According to the United Nations' Plan Bleu, over the next 20 years approximately 205 million second homes will be built to accommodate 350 million tourists annually along the coasts of Turkey and Spain alone. This influx of tourism and the return of "westernized" immigrants fuels religious and political radicalization and serves as a fulcrum for major economic changes and ecological pressures.

5,931円

AD VAN DENDEREN:SO BLUE SO B…

Los Angeles-based artist James Welling has long used abstraction to challenge the technical and conceptual boundaries of photography. In the 1980s, Welling often employed simple materials like crumpled aluminum foil, draped fabric and pastry dough. In 1992, he began the series "Light Sources," the focus of this volume, which critic Carol Squiers has described as "a trope for the seductions of the quickly glimpsed, the half remembered, the partially understood, qualities that Welling wants to hold up, examine and admire without piercing the fragile surface of their own fugitive grace." While many of the objects depicted in "Light Sources" literally transmit light, the series also refers to the role of light in the photographic process and, indirectly, to how the human eye perceives light. James Welling was born in 1951 in Hartford, Connecticut. A Professor of Art at UCLA, he is represented by David Zwirner in New York and Regen Projects in Los Angeles.

8,553円

LIGHT SOURCES:1992-2005(H)

Edited by Andrea Tarsia. Essays by Iwona Blazwick, Alison Gingeras, David Thorp and Gilda Williams.

8,712円

UGO RONDINONE:ZERO BUILT A N…

18,216円

MIGROS MUSEUM FUR GEGENWARTS…

3,960円

BRIEF HISTORY OF CURATING,A

From their Southeastern European bases in Bucharest and Sofia, artists Dan Perjovschi and Nedko Solakov have taken the international art world by storm over the course of the last 15 years, showing their work either solo or jointly at such prestigious venues as the 2007 Venice Biennale, Documenta 12 in Kassel, Germany and The Museum of Modern Art, New York. Both artists work with pictures, texts and biting irony to comment on the social, political and cultural status quo. Early this year, Perjovschi and Solakov took over Vienna's BA-CA-Kunstforum, drawing all over the walls, floors and surrounding architecture with felt-tipped markers and pencils. Political, witty, subversive and fresh, this winning exhibition is documented here.

6,336円

DAN PERJOVSCHI & NEDKO SOLAK…

On top of his day job--he was co-owner of a tannery in the Bohemian-Moravian Uplands of Czechoslovakia--Josef Binko (1879-1960) made time to create one of the most important photography portfolios of his era. He is the only amateur photographer with thousands of negatives in Prague's Museum of Decorative Arts, the country's most serious photography collection, and the only Czech photographer continuously represented at the National Technical Museum, Prague: his darkroom is part of a permanent exhibition on the history of photographic technology. He is one of only two Czech photographers whose brome oil and gum bichromate prints from the period before the First World War are known to have survived in the hundreds. Binko, until recently little known, has now come to be understood as a major contributor to the early years of his media.

3,960円

JOSEF BINKO

Leading Czech photographer and photojournalist Tomki Nemec was one of Vaclav Havel's personal photographers in the 90s. Winner of two World Press Photo awards, his work has been published in the "Los Angeles Times Magazine," "The New York Times" and "Time Magazine." This volume collects his black-and-white documentary photographs of ordinary people throughout the world.

3,168円

TOMKI N?EMEC(P)

Born in 1944, Prague photographer Jindrich Pribik makes supremely complicated work. Over more than 50 years, he has created 40 overlapping series, an intricate web of mutual references and quotations. Many of the works include written essays, reflections in glass windows, found negatives, literary motifs and other montage elements.

3,168円

JIND?RICH P?RIB'K(P)

Jan Sagl, born in Humpolec, Bohemia, in 1942, is a pioneer of color photography in the Czech Republic. He is known for his photographs of landscapes and inconspicuous corners of cultural metropolises, as well as the design work he did for psychedelic concerts with his wife, the artist Zorka Saglova.

3,960円

JAN SAGL(P)

Published on the occasion of what would have been his 70th birthday, this monograph on the work of the late Czech photographer Milon Novotny reveals him to be more than just a photo-journalist. A poet of everyday life whose medium was photography, Novotny possessed a remarkable ability to see deep human content in what appeared to be banal shots.

4,752円

MILON NOVOTNY:PHOTOGRAPHY

The idea of the house dress is closely related to the concept of housework and domesticity. At the same time, it is distinguished by not being a uniform, thanks in particular to the decorations of the fabric. Starting in the late 1940s, a whole series of movies contributed to its image through a gallery of remarkable female characters, the latest of which is Pedro Almodovar's film Volver, with a female lead who is equipped with a wardrobe full of beautifully ornamented house dresses. After taking into account its distinctive and expressive features, author Elda Danese traces the circumstances that led to the success and the worldwide use of the house dress over a period spanning from the 1920s to the present.

3,168円

HOUSE DRESS,THE(P)

Epilogue by Hubertus von Amelunxen. Edited by Hubertus von Amelunxen, Thomas Zander.

7,726円

VICTOR BURGIN(H)

The first title of this series, New Photography in Britain is dedicated to seventeen emerging English photographers. This publication was created in collaboration with the Royal College of Art in London and explores three main topics: the artist's world, their personal feelings towards this world, and their relationship with the world around them. The artists included in this book--many of whom have shown their work in important galleries such as Victoria Miro or Maureen Paley, as well as in the collections of the Saatchi Gallery and the Tate Modern--are Lucy Levene, Lisa Castagner, Sarah Pickering, Anne Hardy, Esther Teichmann, Gareth McConnell, Melissa Moore, Suzanne Mooney, Harold Offeh, Sophie Rickett, Annabel Elgar, Danny Treacy, Kirk Palmer, Becky Beasley, Bianca Brunner, Simon Cunningham, and Heiko Tieman.

6,406円

NEW PHOTOGRAPHY IN BRITAIN(H…

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