Drawing primarily from symphonic and operatic literature, this level exposes the piano student to the wealth of color and imagination of the classical literature. Contents include: Blue Danube Waltz by J. Strauss, Jr. * Overture to The Barber of Seville by Rossini * Dance of the Sugar Plum Fairy (from the ballet The Nutcracker) by Tchaikovsky * Eine Kleine Nachtmusik by Mozart * In the Hall of the Mountain King (from Peer Gynt Suite) by Grieg * Light Cavalry Overture by Suppe * Musetta's Song (from the opera La Boheme) * Theme from Peter and the Wolf by Prokofiev * Pomp and Circumstance by Elgar * Theme from Scheherazade by Rimsky-Korsakov * Theme from The "Unfinished" Symphony by Schubert * Toreador's Song (from the opera Carmen) by Bizet * Waltz by Brahms.

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This new collection of Grey's art presents more than 200 images. Grey's art progresses through a successive expansion of identity--from the self, to self and beloved, to self and community, world spirit, and cosmic consciousness, where bodies are transparent to galactic energies.

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20 studies for the classical guitar written by Beethoven's contemporary, Fernando Sor. Revised, edited and fingered by the great classical guitarist Andres Segovia. These essential repertoire pieces continue to be used by teachers and students to build solid classical technique.

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Patterns is one of the most comprehensive drum methods available. Covering a wide range of materials, the books can be used in any order, or in any combination with one another. They are a must for developing the kinds of skills necessary for drum set performance. In Sticking Patterns, Gary's unique approach to the use of stickings on the set is explored. Completely different from the rudiments, Gary's system is designed specifically for drumset performance, both for creating time feels as well as for filling and soloing. Also included are sections on accented single stokes, as well as the use of double strokes on the set.

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