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In Tolstoy's "The Gospel in Brief," the greatest novelist of all time retells the greatest story ever told--the life of Jesus Christ--in this integration of the four Gospels into a single, 12-chapter narrative.

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By looking at engag e literature from the recent past, when thefrancophone African writer was implicitly seen as imparted with a mission, to thepresent, when such authors usually aspire to be acknowledged primarily for theirwork as writers, "Contemporary Francophone African Writers and theBurden of Commitment" addresses the currrent processes ofcanonization in contemporary francophone African literature. Odile Cazenave andPatricia C l rier argue that aesthetic as well as political issues are now at theforefront of debates about the African literary canon, as writers and criticsincreasingly acknowledge the ideology of form. Working across genres but focusing onthe novel, the authors take up the question of renewed forms of commitment in thisliterature. Their selected writers range from Mongo Beti, Ousmane Semb ne, andAminata Sow Fall to Boubacar Boris Diop, V ronique Tadjo, Alain Mabanckou, andL onora Miano, among others.

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From the author of the hugely successful "How to Read Literature Like a Professor" comes a highly entertaining and informative new book on the 25 works of literature that have most shaped American identity.

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Shades of Green offers a creative reimagining of early and antebellum American literary culture by exploring the complex web of relationships linking racial thought to natural science and natural imagery. The book charts a dynamic shift in both polemical and imaginative literature during the century before the Civil War, as scientific, artistic, and spiritual vocabularies regarding nature became increasingly important for authors seeking to mobilize public opinion against slavery or to redefine racial identity. Finseth argues that these vocabularies both liberated and constrained antislavery philosophy and, more broadly, that our understanding of race in early American literature must take the natural world into account. In doing this, Finseth fuses a cultural history of the period with fresh readings of such major figures as Ralph Waldo Emerson, Harriet Beecher Stowe, and Frederick Douglass.

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Harper Lee's first and only novel, "To Kill a Mockingbird," published in July 1960, is not only a beloved classic but also a touchstone in American literary and social history. It may well be our national novel. With "Scout, Atticus, and Boo," Mary McDonagh Murphy commemorates more than half a century of "To Kill a Mockingbird" by exploring the great novel's history and how it has left its indelible mark. In compelling interviews, Anna Quindlen, Tom Brokaw, Oprah Winfrey, James Patterson, James McBride, Scott Turow, Wally Lamb, Andrew Young, Richard Russo, Adriana Trigiani, Rick Bragg, Jon Meacham, Allan Gurganus, Diane McWhorter, Lee Smith, Rosanne Cash, and others reflect on their own personal connections to Lee's literary masterpiece, what it means to them--then and now--and how it ultimately has affected their lives and careers.

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An important voice from the complex, polyglot society of Martinique, Patrick Chamoiseau is chiefly known for his boldly imaginative 1992 novel "Texaco," which won the Prix Goncourt. In the first study of his work in English, Maeve McCusker skillfully examines Chamoiseau in light of his postcolonial background--Martinique, founded on slavery, is now officially a region of France--and focuses on his representation of memory. Her exploration of Chamoiseau's depiction of the workings of memory solidifies her position as the world authority on the author and serves as an invaluable introduction to his work.

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The Twilight saga has become one of the most successful fiction series ever written, with more than one hundred million copies in print and several blockbuster films. Despite the tremendous commercial success Twilight has generated, few readers have analyzed its theological teachings or the messages Stephenie Meyer might be sending to women and teenage girls. This book offers both a feminist critique of Twilight and a theological review of the stories' ideas about salvation, heaven and hell, power, reconciliation, resurrection, and organized religion.Elaine Heath writes in an accessible voice, calling attention to both the "good news" of Twilight's theology and the "bad news" of its gender stereotypes and depictions of violence against women.The book includes questions for youth and adult groups or for classroom discussions.

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