ドイツのアート系ビジュアル出版社"TASCHEN"はこちらThe avant-gardist The influence of the Austrian architect and designer Josef Hoffmann (1870-1956) is extraordinary: for a period of over 60 years he kept up an aesthetic dialog with Modernism, the International Style, and Art Deco. Before being rediscovered in the 1980s by the Post-Modernists, his work was nearly forgotten; now his importance is unquestioned. As a designer he was one of the leading proponents of the Wiener Werkst?tte, with its close connection to the Arts and Crafts movement. As an architect, he built the first modern buildings in Europe, such as the Purkersdorf Sanatorium (1904) and the Palais Stoclet (1905-1911). Traversing several styles and schools during his lifetime, his work shows a consistent Formalism. He abandoned Functionalism long before it became obsolete. In a historic sense, Hoffmann was doubly avant-garde: in both the rise and fall of Modernism.

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ドイツのアート系ビジュアル出版社"TASCHEN"はこちら眺めているだけでも楽しい！海外Visual Bookをご紹介！

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This housing construction design manual documents and analyzes some 130 international residential structures from the last 50 years. From the standardized floor plans of the 1960s to the more individual concepts of the 1980s and the changed requirements and housing types of recent years, example by the detailed typological description of the relevant housing types. Every project is presented with its typical floor plans to a scale of 1: 200.

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The 1950's house was a scientific triumph, designed in a laboratory and tested on inhabitants of all ages before being built for the masses. Never had homes been so thoroughly contemporary, with antiques and period styles entirely banished."Mid-Century Modern"explores the interior decor of this seminal decade, concentrating on all aspects of a home's decoration-walls, flooring, surfaces, lighting, and, of course, furniture. Case studies examine beautiful present-day homes that exhibit mid-century style in an exemplary way, and suggest ideas for taking the 1950's look-complete with collector's pieces-and mixing and matching it with elements from other eras.

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This book will significantly contribute to our understanding of this phase of O'Keeffe's life and accomplishments. Lynes' essay, in particular, opens up a new aspect of the artist's work. She revisits the landscapes that inspired much of O'Keeffe's artistry, comparing each carefully with its corresponding painted rendition. She discovers how the artist walks the fine line between specific observation and playful abstraction. Her careful consideration of each pictorial structure makes us see the lengths to which O'Keeffe went in order to make these landscape forms speak to her."--Kathleen Pyne, University of Notre Dame

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